abstractmachine

27 November, 2007

Studio Lentigo

Filed under: live, abstractmachine, code — Douglas Edric Stanley @ 13:07 pm

This Friday I’ll be teaching at the Studio Lentigo in Marseille. Studio Lentigo is an atelier combining students of architecture, engineering, and visual arts. I’ll be presenting our work at the Atelier Hypermédia, and of course talking about the role open source software such as Processing has played in our recent activity.

new String();

Filed under: atelier hypermedia, abstractmachine, code — Douglas Edric Stanley @ 11:47 am

As already mentioned here, Jeff Guess and I are working on synchronizing our two ateliers, his Atelier Pratiques Algorithmiques at the École d’Arts Cergy and my Atelier Hypermédia at the École d’Art d’Aix-en-Provence. I’ve just included Jeff’s class on Strings (en français, oui), into our own, so for all my students, this is required reading.

Duchamp, Stoppages étalon

Eventually we’ll be creating a whole new entity that will group together all of Jeff’s classes as well as others. But we’ll have to figure out the feed mashup system and how all that ties into the various examples, tutorials, student work, and documentation on not only Processing, but as well all the other environments we teach (Flash, Pure Data, OpenFrameworks, etc).

25 November, 2007

Objects

Filed under: atelier hypermedia, abstractmachine, code — Douglas Edric Stanley @ 01:23 am

I’ve just finished a fairly long introductory class on object-oriented programming in Processing. Yes, there are other classes in the oven that I’ll serve up when they’re ready. Here’s the link: Programmation orientée-objet, version sympathique. There is also source code for a silly little program called Bestioles that you can play with in your browser from the following address: Bestioles. This program is used at the end of the class and synthesizes quite a few concepts that are explored throughout the entire series of classes on Processing.

Bestioles

As usual, the text is in French, but you can always copy the many code examples and see what they do. I get many requests asking for translations of these classes. Unfortunately, I’m only paid to teach in French, and I don’t have the time anyway to write these classes, so it’s really just a question of what has become absolutely indispensable to our work within the Atelier.

I’ll come back to this question of object-oriented programming later, but it has become quite clear to me over the past year that you cannot reach any acceptable level in Processing if you do not teach object-oriented programming as a basis for most work. And although we’ve been using objects within the Atelier since day one, I noticed that too many students at the end of last year were still creating their projects with linear structures that were stifling their work. So this year we’ve moved into objects from the get-go, hence this on-line class which I hope to use as a starting point for a more robust exploration of code, as well as artwork using richer algorithms.

13 November, 2007

Stop making sense

Filed under: workshop, atelier hypermedia, abstractmachine, code, plot, physicalization — Douglas Edric Stanley @ 13:29 pm

I’m in the middle of the second of two busy weeks. Last week France Cadet organized an excellent list of speakers for De l’objet de laboratoire au sujet social, and this week we’re working with Christian Graff whom she invited for a week-long workshop on electric fish. Régine Débatty has been posting her notes on we-make-money-not-art over the last few days and should give you a good idea of the highlights of last week (cf. Jens Hauser, Eduardo Kac). We’re only two days into the week-long workshop, so I can’t tell you much about it, but we’ve been working with Mormyridae, using an interface to listen into their rhythmic Electroreception. If you read my post a few months back on Echolocation you should see the interest this workshop had for us.

But the most exciting part for me has been over the last hour based on discussions we began yesterday with Christian and the members of Plot who are along for the ride (cf. « Mormyre » at Plotsème). As it turns out, all of the plot-ian concepts (as we call them here) from last year (« imprévu », « aléatoire », « lenteur », etc.) are perfectly aligned with a lot of the day-to-day theoretical discoveries of Christian’s research; and the conclusions and models he currently works with are quite brilliant for us and have just opened up some new territories. And on the question of physicalization, which I am working with more specifically through this blog and my thesis research, I’m equally seeing stars with everything Christian is showing us from his research — especially from the theoretical models he’s constructed only recently.

The basic question is randomness in relation to patterned activity, and what Christian calls « n’importe quoi ». We just spent ten minutes talking about the translation of « n’importe quoi » which he translated to « nonsense! » (I suggested he add the imperative to make it work), and which I prefer to translate as « WTF », « What the fuck »; hence creating a nice corollary with « n’importe comment » which would translate pretty well to « just fuck around » (another term we use a lot in the atelier). Christian’s problem is the biological as well as ethological study of electric fish, and therefore a question of behavior, environment and communication through the perspective of evolution (predation, reproduction, etc). In relation to communication (and keeping in mind all the other factors), the desire would be to see the mormyridae as great communicators, as well as electrolocators. But as it turns out, these fish use their significant cerebral power not to communicate with one another, but instead to create complex random patterns that allow them not only to avoid communicating with one another (i.e. recognition for the sole purpose of distinction) but also to act as camouflage within the complex riverbed for predators that are equally receptive to their electrical pulses. They generate amazingly irregular patterns, and as Christian has just suggested, « irregularity requires significant cerebral activity ». So where the desire would have originally been to see their significant brain size (in relation to their body) as a hint of great communicative abilities (think dolphins), this might turn out to be pure anthropomorphism and instead could lead us in the opposite direction: rendering the mormyr’s signal indistinguishable from the complex rhythms of the riverbed.

As Jean Cristofol has just reminded us, this takes us directly back to the theories of information. Indeed, the calculations Christian uses are precisely those of entropy.

The hilarious idea then becomes number generation via biological phenomena, similar to what I’ve spoken about in the past (cf. Quantum Randomizer, Snowy Tree Cricket, etc). This is actually already a reality in the LOEIL laboratory where we’re working: Jean-Pierre Mandon hacked a Linksys router into a Linux-server that sends the Mormyr rhythms to us over UDP. Then Guillaume Stagnaro used the Hypermedia UDP Library Stéphane Cousot and I built last year to grab these UDP feeds through Processing and by the end of the first day we had this ridiculous little sketch (cf. Happy Code Farm) animating a silly little fish using the data feed. The idea is to make this a permanent feed (data and audio) which could then be fed into the Locus Sonus streams. So basically we’ve built something equivalent to what I suggested was possible a few months back concerning the Snowy Tree Cricket.

A final note — more of a footnote for future discussions: Jean Cristofol has been using the concept of an expanded body, seeing the entire electrical field in relation to proprioception, which is not to be understood in the Macluhan sense of an extended nervous system through technology. For example, Christian used the term « transparency » to describe the fish’s ability to see internal organs thanks to the electrical spatialization, and the entire space analyzed by the electrolocation as transparent.

11 November, 2007

Pakistan

Filed under: rant — Douglas Edric Stanley @ 16:13 pm

I’m not much for petitions. A pure formality, at best. I’m far more impressed by more creative forms of communication. But given the speed at which events are unfolding, all I’ve found to do concerning the actual crisis in Pakistan is to sign this petition my colleague Jean Biagini suggested to me yeasterday: End the Emergency. For I’ve just learned via Jean that the former director of the National College of Arts in Lahore has been arrested in connection with the crackdown on so-called extremists. While I, like many in the west probably, can easily imagine there is indeed some fire behind all that smoke, it is clear that arresting artists and intellectuals has nothing to do with fighting terrorism and everything to do with consolidating power. I don’t pretend to understand very much about the complexity of internal politics in Pakistan, but I do understand that distinction.

Pervez End the Emergency

The NCA is a wonderful place, and ever since my workshop there in 2000, I’ve been wanting to return. Perhaps I should work on getting that goal back onto my radar.

4 November, 2007

De l’objet de laboratoire au sujet social

Filed under: workshop, atelier hypermedia, live, abstractmachine, code, plot, physicalization — Douglas Edric Stanley @ 22:33 pm

My colleague France Cadet has organized an excellent lineup for a week of talks beginning tomorrow at the Aix-en-Provence Art School and ending Thursday at Seconde Nature. It is entitled De l’objet de laboratoire au sujet social, which roughly translates as « From the Laboratory Object to the Social Subject ». In other words, the school will finally be returning to themes introduced by Louis Bec over twenty years ago when it instigated its art & technology program.

The speakers are Régine Debatty, Jean Cristofol, Jens Hauser, Beatriz Da Costa, France Cadet, Dominque Lestel, Eduardo Kac, Claude Gudin.

On Friday, we will meet and begin discussing with Christian Graff about his workshop on electric fish, to be held throughout the following week. This workshop was also organized by France Cadet, but she has invited plot to participate, so I will be at the school throughout next week as well.

Here is the complete list of speakers/subjects (in French).

Lundi 5 Novembre

  • 9H30: France Cadet. Présentation du déroulement de la semaine thématique et du stage Mormyrophone®
  • 10H : Régine Debatty : “Future Body”. Sa présentation abordera le corps tel qu’on le modifie déjà depuis des siècles, la manière dont les nano et biotech pourraient nous permettre d’aller encore plus loin (sera-t-on toujours des être humain? des uper humains? etc.) et les conséquences socio, cultu et éthiques de ce futur plutôt proche. avec exemples de travaux d’artistes et designers commentant le sujet.
  • 14H : “Mon oncle d’Amérique”. Film d’Alain Resnais (1980). Le professeur Laborit part de l’exemple de trois destinées pour illustrer ses théories scientifiques sur le comportement humain.
  • 16H : Jean Cristofol : “Comportement, code et contrôle”
  • 17H30 : Radio Grenouille. Interviews et enregistrements pour diffusions ultérieures

Mardi 6 Novembre

  • 10H : Jens Hauser. “Disembodied Cuisine“. Installation documentaire & Explication performative relatives aux steaks de grenouille du Tissue Culture & Art Project. Deux personnes, portent une blouse de laborantin, avec une installation sur une table à mis chemin entre la cuisine et le labo. Elles cuisinnte de la grenouille suivant la recette végétarienne de Peter Singer. La grenouille est censée être du steak de grenouille produit en labo et cultivé en boite de Pétri en référence au travail du groupe d’artistes australiens The Tissue Culture & Art Project. Le public pénètre donc dans cet espace et une discussion avec Jens Hauser s’engage et il commence à évoquer des textes qui ont été publiés à ce sujet, il fait référence à des articles de presse etc… pour aboutir à ses réflexions personnelles et autres préoccupations éthiques et philosophiques. La conférence s’installe donc comme ceci sous une forme moins traditionnelle et un peu plus déroutante et séduisante.
  • 14H30 : Jens Hauser. “Sk-Interfaces“. Présentation de l’exposition dont Jens Hauser est le curator à l’occasion de la Capitale Culturelle Européenne 2008, Liverpool
  • 17H30 : Beatriz Da Costa & Douglas Edric Stanley. Vidéo-conférence.
  • 17H30 : Radio Grenouille. Interviews et enregistrements pour diffusions ultérieures

Mercredi 7 Novembre

  • 9H30 : France Cadet. Présentation de son travail autour des robots chiens, de la résidence au BRL (Bristol robotics Lab), et des robots inspirés du vivant qui y sont développés (Ecobot I, II et III, robots qui mangent du sucre, des fruits avariés ou des mouches).
  • Bristol Robotics Lab
  • Bristol Robotics Lab
  • 11H : “Fast, Cheap and out of control“. Documentaire d’Errol Morris (1997). Ce documentaire suit quatre personnages excentriques qui éprouvent une passion pour les animaux ou leurs représentations symboliques : un roboticien du MIT (Rodney Brooks), un scientifique spécialiste des rats-taupes, un dresseur d’animaux sauvages de cirque et un jardinier topiaire qui taille d’immenses animaux dans des buissons.
  • 14 H : Dominque Lestel: “Enjeux des convergences homme/animal/machine au 21e siècle”
  • 17H30 : Radio Grenouille. Interviews et enregistrements pour diffusions ultérieures

Jeudi 8 Novembre

  • 9H00 : Navette Eole d’Art à Fondation Vasarely
  • 9H30 : Eduardo Kac. Présentation de son travail + future expo & publication : à définir.
  • 14H30 : Navette Eole d’Art à Fondation Vasarely
  • 15H : Claude Gudin : Présentation rapide de son parcours et de ses recherches
  • 15H30 : Table Ronde autour du travail d’Eduardo Kac; Participants : Eduardo Kac, Claude Gudin, Dominque Lestel; Modérateur: Jean Cristofol
  • 17H30 : Radio Grenouille. Interviews et enregistrements pour diffusions ultérieures

Vendredi 9 Novembre

  • 9H : Christian Graff. Stage Momyrophone® Présentation et début du stage Momyrophone®. Avec la participation de France Cadet et Jean-Pierre Mandon. Ce stage se propose d’Interfacer des signaux de poissons à faibles décharges électriques : les Mormyres.
  • 14H : suite stage Momyrophone®
  • 17H30 : Radio Grenouille. Interviews et enregistrements pour diffusions ultérieures

Semaines thématiques

Trois semaines thématiques de culture générale sont organisées chaque année à l’Ecole Supérieure d’Art d’Aix-en-provence.

Il ne s’agit pas de colloques qui prétendraient faire le point de l’actualité sur une question, réunir des meilleurs spécialistes, etc.. , mais d’une série d’interventions destinées à soulever le débat, croiser des points de vue, permettre un moment d’information et d’échanges (que nous souhaiterions les plus libres possible) autour d’une question.

Ces semaines sont en général conçues en liaison avec des activités pédagogiques initiées dans l’école, comme un contre point, un moment d’élargissement d’une réflexion, un moment de rencontre aussi.

Elle ne sont donc pas seulement destinées aux étudiants qui participent à ces activités, ou qui sont particulièrement concernés par les questions abordées, mais à tous les étudiants, de la première à la cinquième année, comme un lieu permettant l’élargissement à tous de leurs expériences et de leurs préoccupations.